In 1999, a teen girl keeps close tabs on a boy in school on behalf of her deeply smitten best friend – then she gets swept up in a love story of her own.

In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields' home and Julie, a savvy and provocative teenage neighbour – to help with Jamie's upbringing.

亨利·西里尔·佩吉特（Henry Cyril Paget）继承了巨额财富。影片展现了他奢侈的生活方式、古怪的行为，以及逐渐走向财务破产的过程。最终，他在法国穷困潦倒地离世，年仅29岁，挥霍完了自己的巨额财富。

Henry Cyril Paget, inherits a vast fortune. The film depicts his extravagant lifestyle, eccentric conduct, and gradual financial ruin, culminating in his impoverished death in France at 29, having squandered his immense wealth.

Charming and innocent, Candide is vigorously chased away by the Baron, for his close encounters with the pretty Cunégonde. World War II breaks out, and when he is drafted and taken prisoner, he is forced to take German nationality and ends up guarding the camp where he was imprisoned. He crossed into Switzerland, but as he had no bank account, he was incarcerated for eight days for trespassing. Hunted by the Gestapo, he kills two men to free Cunégonde, who has finally been found. They both flee to Argentina, and their world tour begins. In Paris, Moscow, New York, Borneo and Alexandria. They try to follow Dr. Pangloss' optimistic rule of life. Tossed about, separated, they find themselves grown old and wiser, thinking only of cultivating their garden on the shores of the Mediterranean.

Documentary charting the military course of the Great War. Expert commentary, stills, letters, diary entries, paintings and vivid film footage drawn from 40 archives around the world bring to life the experiences of those who fought the war on every side and every front. Narrated by Dame Judi Dench and featuring the voices of Liam Neeson, Ralph Fiennes, Natasha Richardson, Imogen Strubbs, Helena Bonham-Carter, Helen Mirren, Jeremy Irons, Tom Fleming and Tim Pigott-Smith.

The heartwarming romantic comedy is about the friendship and love lives of three single virgins born in 1983. Their romantic lives begin when the boy they liked in their youth shows up one day. They live in Oksu-dong in rundown apartments, and the warm human drama will be about neighborly affection, and the meaning of home, family, and friendship.

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Raia, a famous writer struggling with writer's block, travels to New York to get inspired. There, she meets River and becomes entangled in a love story haunted by the past.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.